Archive for the ‘Video Photography’ Category

Tips On Light Diffusion

Posted on: No Comments

Affordable Vellum For Light Diffusion

I like putting a sheet of diffusion paper (vellum) in front of each light.  The industry standard is from Rosco, with a 25 by 4 foot roll costing over $125.

You can certainly get by with a roll half as long by 3 and 1/2 feet from Dietzgen for half the price.

With careful use, the paper can be reused several times.

The C-47 clips that we all use to attach the paper to the lights are just a fancy show business name for common wooden clothes pins.

 

 

ABOUT PHIL RAMUNO:  Phil Ramuno is an award-winning director, producer, writer, photographer, teacher and published author.  He co-authored the best-selling ‘Sitcom Career Book”.  He has directed hundreds of projects including theatrical, pilots and episodes of American and international network and syndicated situation comedies. Phil is an adjunct professor at The University of Southern California prestigious graduate film school and has also taught at both Emerson College and Endicott College in Boston.

Phil Ramuno shares his on-set ‘must-haves’ and ‘wish list’ from the set of BzSpotlight – the Business Webisode Series.

BzSpotlight provides corporate and custom video in the greater Los Angeles area.

Reflector and Reflector Arm Holder

Posted on: No Comments

Don’t Buy, BOUNCE: Reflector and Reflector Arm Holder

Your $200 one light photo studio is complete.  I talked about using natural light as a source for classic three point lighting.  What you might not understand is that, if you only have a window from one side letting in light, you cannot use overhead lights or lamps in the room for the third lighting source.  Office overheads are usually fluorescent lights which are green colored compared to daylight and strobes.  Most floor or desk lamps are red colored.  Our eye adjusts to these color differences but your camera will not.  So you may need at least on more daylight colored source.

Yes, you can get a second Neewer strobe for $100 and put that on the second light stand that I had you buy along with the second receiver/trigger for that strobe at $16.  But we can keep our budget down by using a reflector instead.

There are many kits of 5 reflectors with white, black, silver, gold and translucent.  Honestly, you won’t need all of those.  Silver or white are the ones you will always use. $16.

You will need something to hold the reflector in place. Neewer has a simple clip that can mount it to your second light stand for $7.

 

But that gives you only one position.  I like a positionable arm for more flexibility.

That one is $28 and is well worth the extra cost. Make sure you use one of your 4 sandbags for this setup.
So, now using any daylight in the room as one source and with all the lights turned off, your strobe and $45 reflector setup can complete your classic three point lighting. Since the fill light on the front side opposite the key light should be half as strong, use your creativity to decide which sources should be the key, fill and backlights.

ABOUT PHIL RAMUNO:  Phil Ramuno is an award-winning director, producer, writer, photographer, teacher and published author.  He co-authored the best-selling ‘Sitcom Career Book”.  He has directed hundreds of projects including theatrical, pilots and episodes of American and international network and syndicated situation comedies. Phil is an adjunct professor at The University of Southern California prestigious graduate film school and has also taught at both Emerson College and Endicott College in Boston.

Phil Ramuno shares his on-set ‘must-haves’ and ‘wish list’ from the set of BzSpotlight – the Business Webisode Series.

BzSpotlight provides corporate and custom video in the greater Los Angeles area.

Neewer Sand Bags

Weighing In On Equipment Safety: Neewer Sand Bags

So, by now I have encouraged you to shop for a $100 strobe light, a $35 remote for the strobe, $30 for two light stands, a $6 bracket and $10 for a photo umbrella.  We are still under $200, so what else do you need?   Well, you need to protect your small investment.  Get some sort of weight to keep the light stand from falling over, especially outdoors and when you have an umbrella sticking out and acting like a sail.

Neewer again comes in at a bargain price with 4 bags for under $15.

 

You can fill these with sand, gravel, nuts and bolt or ball bearings.  Just understand that the sharper the fill, the more chance of eventually wearing a hole in the fabric of the bag.  Also weighing them down too much can put a strain on the stitching that is holding the cloth handles.

You now have everything for a great one light set-up.  Classic lighting, however, is three point light with that main light at the 45 degree angle and something on the opposite side of lower intensity to fill any shadows and a third light behind to separate the subject from the background.  Letting some daylight in the room that you are shooting can certainly work for these other two sources.  Just notice where the natural light is coming from and use it to your advantage.  In a future review I will talk about using a reflector for a secondary source.